Archived entries for printmaking

Brooklyn’s Finest… enormouschampion

enormouschampion are Brooklyn-based printmakers, “drawing inspiration from childhood memories, nature, three lovely cats, ephemera, the places we go and the people we meet”.

Each item crafted is thoughtfully considered in terms of the marketplace and the environment and they only use recycled paper, sustainably harvested wood, and minimally treated fabrics in our products. Hurrah!

Print

Everything they produce is designed and illustrated by enormouschampion, although occasionally, they do some nice collaborating with other artists. All good for the soul, I say. I am particularly fond of the houndstooth-esque prints that they do…

enormouschampion-bats-bunnies

enormouschampion-royal-family

enormouschampion-seagulls

There are not many places in the UK that you can pick up their work, but you can buy some of their work from www.howkapow.com which is another great site to take a peek at sometime.

Grain and Gram… The New Gentleman’s Journal

A new gentleman’s journal has sprung up online, looking rather Monocle-esque. It goes by the name of Grain & Gram and is updated infrequently but with some particular in-depth features with some gorgeous photography and video.

If I am honest, it is a little too much to read for my preference, I prefer to sit with my coffee and watch the equivalent of video but the images are really worth visiting for as I got a great sense of what they were reporting on from purely from this. And for the readers amongst us, there is plenty of text to satisfy.

Their recent feature on Nick Sambrato is fantastic, you can read a little here…

“A man without words is a man without thought.” John Steinbeck, East of Eden.

Nick Sambrato loves what he does and he loves doing it well. It takes only minutes in talking with Nick to find out that he takes what he does seriously, but not in a pretentious way. By showing and striving for quality in what you do, you can show that you are striving for quality in who you are. Late nights, dirty jeans, rough hands, tired eyes, all these things are badges of honor when you’re doing something you love. His work ethic and entrepreneurial drive are what brought him to the world of print, but not the sole reasons for keeping him there.

We love the idea of the craft and the type of man who takes pride in his work — sees what he builds as an extension of himself.

That’s one thing I think of; those guys. My dad was a construction worker. It was his identity. He took pride in it. He built things, and he never got away from it. I’ve found, that has taken root in me.

My father talked about my grandfather who loaded trucks and laid bricks, that was what they did and what defined them. So the idea of working with your hands — my hands — came as second nature to me.

I hope that people will never lose the wonder that comes with gadgetry contraptions.

Continue reading…

Diane Goode’s hand-painted silk cushions

This beautiful cushion, by little-known printmaker Diane Goode, celebrates the beauty and splendour of my favourite city, London town. This unique design has been meticulously hand-painted to achieve a rich and luxurious quality, and has been finished with glitter embellishments. The cushion itself has also been hand-crafted using striking silks.  It features an iconic red phone booth, a postbox and a lamp, all garnished with a striking black decoration flowing across the background. 

The reverse of this cushion is an electric blue silk, upon request some changes can be made to the reverse colour. All hand painted cushions are made to order so may differ slightly in appearance due to the nature of this craftsmanship. 

Diane’s contact details are on the website at www.dianegoode.co.uk/

RIP Lucienne Day

Lucienne Day was the foremost British textile designer of her period. Day’s furnishing fabrics, of which the most famous was the Festival of Britain abstract pattern Calyx, hung in every “contemporary” living room in Britain. The reality of “art for the people”, dreamed about by the Victorian William Morris, was finally achieved by a female designer in the middle of the 20th century.

Désirée Lucienne Day RDI (née Conradi) (January 5, 1917 to January 30, 2010), was born in Coulsdon, Surrey, England. Inspired by abstract art, she pioneered the use of bright, optimistic, abstract patterns in post-War England, and eventually grew celebrated worldwide.

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The textile designer Lucienne Day in 1952

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Calyx, the fabric design that brought her fame

Day was daughter of an English mother and a Belgian father who worked as an insurance broker. She attended convent school in Worthing, and at 17 enrolled in the Croydon School of Art, where she discovered a love of printed textiles. Later she attended the Royal College of Art, where she was a top student.

Through her career, Day won many awards, including the International Design Award of the American Institute of Decorators in 1952, and the Gran Premio prize at the Milan Triennale in 1954. In 1962, she was made a Royal Designer for Industry (RDI), an award which honours designers who have achieved “sustained excellence in aesthetic and efficient design for industry.” She was the fifth woman to be made an RDI.

She believed that good design should be affordable, and in 2003 told the Scotsman newspaper that she had been “very interested in modern painting although I didn’t want to be a painter. I put my inspiration from painting into my textiles, partly, because I suppose I was very practical. I still am. I wanted the work I was doing to be seen by people and be used by people. They had been starved of interesting things for their homes in the war years, either textiles or furniture.”

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An exhibition of Lucienne Day’s textiles and her designer-husband Robin Day‘s furniture, ‘Robin and Lucienne Day: Design and the Modern Interior’, will be at the Pallant House Gallery from 26 March to 26 June 2011 in Chichester – the city where the Days retired in 2000, in order to be closer to their Sussex cottage, where Day spent much of her time in the garden.

Read the Guardian obituary on Lucienne Day

Read more about Lucienne and Robin Day at mydeco.com

My favourite printmaker: Angie Lewin

Angie Lewin, from St Jude’s Gallery in North Norfolk has already been mentioned before at ATELIER TALLY, but I couldn’t resist updating ATELIER TV with some more on this wonderful printmaker.

Her work reminds me of Lucienne Day, the wife of furniture designer Robin Day. Lucienne and Robin pioneered a new world for Britain and are often remembered most for the Festival of Britain in 1951 where they inspired so many future designers. Margaret Howell and Angie Lewin are the most obvious to me, but I do consider them closely linked to British furniture manufacturers Ercol from the same period.

Back to Angie, her work is available online and is a perfect gift for lovers of 1950s British design.

Enjoy…



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