Illustrious modernist Richard Meier and multi-disciplinary creator Massimo Vignelli reflect on their respective crafts, city life, and enduring friendship in this mesmeric film by Johnnie Shand Kydd. Shot at the minimalist offices of Richard Meier & Partners on 10th Avenue and West 36th Street, the two powerhouses discuss their collaboration on the firm’s forthcoming monograph, Richard Meier, Architect Volume 6, chronicling the stark, white, rationalist buildings that define the firm’s aesthetic.
The Pritzker Prize laureate’s most notable projects include the Getty Center in L.A., the Barcelona Museum of Contemporary Art, and more recently, the two glass-and-steel towers on Perry Street in New York’s West Village that Martha Stewart, Ian Schrager, Calvin Klein, and Nicole Kidman have all called home. Vignelli, too, has left a significant mark on Manhattan, having famously designed the New York subway map and signage, in addition to working on everything from packaging and furniture design to corporate identities for clients like BMW, Barney’s, Xerox and American Airlines.
“Architects need to have a certain arrogance, a sense of self-belief,” posits Shand Kydd. “A designer, however, has to be more collaborative. Consequently, Meier and Vignelli have very different natures, but like all very talented people, they both look forward and not back.” Here Meier nonetheless looks to his present city, and beyond, to reveal his select few architectural necessities.
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